标签： 2021上海水磨实体店

CCTV News:Beautiful mountains and rivers, thriving. This holiday, people enjoy the mountains and rivers, feel the ever-changing land of China, and praise the great times with colorful activities.

Yulin, Shaanxi: The Charming Ancient City staged an intangible cultural performance.

During the Mid-Autumn National Day holiday, Yulin, Shaanxi Province held a series of activities on the theme of National Day. Downstairs of Wanfo, the storytelling tunes in northern Shaanxi are vigorous and beautiful. Downstairs in Xinming, the wedding sedan chair in northern Shaanxi is full of happiness. From September 29th to October 6th, Yulin Ancient City staged intangible cultural performances at different times every day to share cultural feasts with tourists.

Changzhou, Jiangsu: Multi-genre Music Festival brings "one-stop" enjoyment.

In Taihu Bay, Changzhou, Jiangsu, a four-day music festival is being held. Rap, rock, pop, folk songs and other styles of music are staged one after another, bringing "one-stop" enjoyment to tourists.

Ningbo, Zhejiang: Night tour of ancient towns is popular.

In Cicheng Ancient Town, Jiangbei District, Ningbo, Zhejiang Province, the national intangible project "Fenghua Bulong" is welcomed by tourists. Performers shuttle through the ancient town, bringing tourists good wishes of good weather and good luck. The non-genetic inheritance skill "Ninghai plays with teeth" is an eye-opener for tourists. Activities such as lion dance and lantern racing were also organized in the local area, and people celebrated the National Day while enjoying intangible performances and participating in folk activities.

Zhangjiajie, Hunan Province: Enjoy a Folk Holiday between Mountains and Waters.

Yang Jiajie Scenic Spot in Zhangjiajie, Hunan Province held a cultural performance of "Non-legacy into the scenic spot" during the holiday. Tujia Lantern, Tujia Liuzi, Tujia Banggu and other programs with rich characteristics make tourists feel the unique charm of intangible cultural heritage at close range.

Hongya, Sichuan: The live performance of the ancient town feels a strong festive atmosphere.

In Liujiang Ancient Town, Hongya County, Sichuan Province, many activities such as live performance, classic reading and non-legacy tour were launched locally. Tourists stroll through the picturesque poetic ancient town, watch live performances on the water, feel the charm of non-legacy folk customs and celebrate their holidays.

Use music to unite patriotic feelings. Hundreds of teenagers from Hong Kong and Shenzhen played My People，My Country together.

On October 2nd, the National Day Concert of "String Music Inheriting the Music of Shenzhen and Hong Kong" was staged at the Hong Kong Cultural Center. More than 150 teenagers from Hongkong and Shenzhen played the My People，My Country and sent their best wishes for the National Day. On the 2nd, Hong Kong ushered in the peak of entry, with more than 555,000 people entering the country.

During the holidays, the Macao SAR government held music performances, light shows and other activities in several popular tourist attractions, so that tourists can better feel the charm of different cultures. According to the data, from September 29th to October 2nd, the number of visitors to Macau reached 530,000, and over seven of them became mainland visitors. Among them, 158,000 passengers entered Macao on September 30, setting a record for the highest number of single-day visitors this year.

Guangdong: Excavating the Intangible Cultural Heritage and Stimulating the New Vitality of the Ancient City

This year’s Mid-Autumn National Day holiday, Guangdong tourism market is hot. According to the preliminary calculation of Guangdong Provincial Department of Culture and Tourism, September 29th — On October 2nd, 150 key scenic spots monitored in the province received a total of 10.501 million tourists.

Chaozhou, Guangdong Province is an ancient cultural city with a history of more than 2,000 years. Since ancient times, it has been known as "the first city in Lingdong". It is surrounded by three mountains and the Hanjiang River is like a belt. The context is continuous and profound. Next, we walked into Paifang Street, Chaozhou Ancient City, one of the first national tourist and leisure blocks in Guangdong Province. Feel the charm of cultural heritage in this historical corridor.

On the Guangji Bridge in the ancient city of Chaozhou, the tourists who come to punch in are bustling. In addition to enjoying the charm of the Millennium ancient bridge, the pavilions and pavilions also display exquisite intangible works, such as splendid Chaozhou woodcarving, exquisite and elegant Chaozhou embroidery and lifelike Dawu clay sculpture, which attracts many tourists to stop and enjoy. Non-genetic inheritors also showed the hand-pulled pot making skills and Chaozhou Kung Fu tea art on the spot, and invited tourists to experience and feel the unique charm of Chaozhou non-legacy culture.

Mid-Autumn National Day holiday, more than half of the trip is hot.

Today (October 3rd) is the fifth day of the Mid-Autumn National Day holiday, and the eight-day two-day holiday is over half. Are you enjoying the holiday mode on the road, or have you started to return early at the wrong peak? How hot is this holiday? Let’s look at the latest travel data released by the Ministry of Transport.

Data 1: 53.539 million person-times. Today, the national railways, highways, waterways and civil aviation are expected to send 53.539 million passengers, an increase of 52.5% over the same period in 2022.

Data 2: 16.35 million person-times. The reporter learned from China State Railway Group Co.,Ltd. that during the holiday, the railway passenger flow remained at a high level, and short-distance passenger flows such as traveling and visiting relatives accounted for a relatively large proportion. Today, the national railway is expected to send 16.35 million passengers, and the national railway passenger flow has remained above 16 million for four consecutive days.

　　It has long been discovered that one of the magic weapons of Japanese drama is to "focus on reality and face anxiety". This is the case with the two Japanese dramas that started broadcasting in April this year. I get off work on time, which also resonates on China’s domestic network, is aimed at the deep accumulated disadvantages under the Japanese "overtime culture" that has been in operation for years; Another new film "Home on Sakamoto Road" (Home on the way to Sakamoto), which was broadcast on April 27th, faces the contemporary Japanese family directly, more precisely, it is the child-rearing pain of contemporary housewives.

　　Home on Sakamoto Road

　　Desperate Housewives

　　The reason why the word "housewife" should be emphasized is naturally related to the traditional image of Japanese families. "You’re back, you can eat"; "The bath water has been put away"; The lines "Really, the newly cleaned house is dirty again" are familiar to the audience of Japanese family TV series. The husband who is shackled by the "overtime culture" is firmly tied to his job. When he returns home after a busy day outside, his wife often has cooked the food and waited. Before the meal is over, the wife may have put bath water in the bathtub for her husband to spare. On weekends, the husband who rarely takes a vacation is still asleep, while the wife who gets up early is busy in front of the kitchen and washing machine … …

　　This is probably what Fuyumi Sakamoto, a famous Japanese singer, summed up in "Men’s Fire Sacrifice" (Men’s Fire Sacrifice), "Japanese men try their best to work hard … … A woman marries a woman, lives by her husband, and lives a life of hard housework and guarding her home. " If such lyrics full of "gender differences" are put into European and American music circles, they will definitely be bombarded by feminists as "politically incorrect". In Japan, The Man’s Fire Sacrifice has been on the stage of NHK’s "Red and White Songs" three times so far. This means that in the mainstream social cognition of Japan, "housewife" is the mainstream form of "wife" mode in Japanese families: men are often citizens and producers, and then husbands, while women are first and often only wives.

　　Fuyumi Sakamoto sang "Man’s Fire Sacrifice"

　　In this way, marriage has become the traditional destination of Japanese women’s happiness and lifelong career. Therefore, the opening monologue of the Japanese drama "Don’t Get Married" (2012) is "Marriage, the stage of life that most people will step into, and anyone can become the dream stage of the protagonist". "Problem Restaurant" (2015) also portrays such a housewife: Morimura Mirror has been fully engaged in housework, parenting and caring for the elderly in the family since her marriage. When she met her old college classmates, she had changed from a confident and energetic girl to a housewife who was passive in Nuo Nuo.

　　On the other hand, although Xu Zhimo, a famous poet in China, once praised Japanese women like this in Nora, shian: the gentleness of bowing one’s head is the most, like the shyness of a water lotus that can’t overcome the cool wind; But Japanese husbands don’t seem to be satisfied. Ryokawa Yoshiko in Days of Beauty (2014) said: "After three years, my husband will only treat his wife as a refrigerator, thinking that he can eat food at any time just by opening the door, even if it is broken, it will be inconvenient, but he is too lazy to take it for repair and maintenance … …”

　　Day and face

　　Things that make these housewives desperate don’t stop there. The traditional Japanese view of marriage also believes that once married, children will be born, so we must consider the long-term plan of raising children. "Tokyo Women’s Picture Book" (2017) is a Japanese drama about women in the new era, but it still can’t get around the topic of marriage. Even in this society that advertises equal rights between men and women, women have been under great social pressure. At the age of marriage, settle down and find a man to marry and have another child, as if the child is also a medal of a woman. Of course, Rousseau did say three centuries ago that "the most important task for women is to be a mother, and maternal love is a lofty feeling that nothing can surpass" … … This actually sets a very high moral standard for the family role of mother, which is different from the obligations undertaken by the father role. The mother role requires her to pay all for her children and bear almost all the responsibilities of childcare, which is known as "widowed parenting".

　　Home on Sakamoto Road is such a TV series with the theme of "Desperate Housewives". Like many popular Japanese dramas, Home on Sakamoto is also adapted from the novel of the same name. As a woman, Mitsuyo Kakuta, the original author, first had a failed marriage with the writer Ito Takahashi, and later married Zhang Yang Kono, a member of the rock band. The actual experience of these two marriages is naturally enough to make him empathize with the life of a "housewife" and resort to words.

　　Original novel

　　Every family has its own difficulties in chanting scriptures.

　　The protagonist in "Home on Sakamoto Road" is called Sand in the Mountain. She is a housewife with a three-year-old baby. Interestingly, Chai Yunxing (Chai Yunコ コ), who played this role, is still alone even though he had an affair with actor Tsumabuki Satoshi. "Sand in the Mountain" is also the first time she has starred in a TV series since the 2016 Dahe drama "The Female Master Straight Tiger". Can she play the role of a strange housewife? Chai Yunxing himself is full of confidence in this, hoping to "show the attitude of taking his family and raising children seriously". Judging from the dramas that have been broadcast, her acting skills should be said to be quite in place. The sand in the mountain has to take care of some unruly and willful daughters, and also serve her husband, Ichiro Yamamoto, who comes home from work every day to make a living. It is really exhausting. The first thing the husband, played by Seiichi Tanabe, did when he got home was to ask his wife for beer. Even if he is only a few steps away from the refrigerator, he doesn’t want to get it himself … …

　　A husband who asks for beer

　　As the series propaganda said, the six-episode TV series "Home on Sakamoto Road" throws a universal and heartbreaking theme to the mothers who are raising children and the people living around them: "What is family love?" "What is a mother’s life?" "What is life?" The "desperate housewife" in the play is not the only one in the sand in the mountain.

　　This play presents two main lines to the audience. One of them is a legal trial. Also a professional housewife, Ando Mizuho (Miki Mizuno) drowned her baby, who was only eight months old, in the bathtub at home, so she was taken to court. Japan’s legal system requires that jurors be selected from ordinary people to participate in the trial, and sand in the mountain is unfortunately selected as a "supplementary referee", so it is necessary to report to the court every day to fulfill national obligations, while children can only be fostered in their mother-in-law’s house during the day. At first, the sand in the mountain was convinced that Ando Shuizi was an irresponsible mother. With the deepening of the trial, the past of Ando’s family emerged in front of the jurors. The sand in the mountain just discovered that there are a lot of sufferings and insincerity that can’t be judged by onlookers at will. The essence of this tragedy is not pure child abuse, but a mother with postpartum depression needs help: can she take care of her child wholeheartedly after childbirth and be physically able to bear it? Is there breast milk? Is breast milk enough? Does the baby keep up with other ordinary children? Whether the child’s crying in the middle of the night causes lack of sleep, and whether the mother’s own postpartum physical recovery is good … … The malice around her caused her to lose self-confidence and even lose the ability to take care of her baby.

　　As the trial went on, Shali in the mountain changed his view on the defendant.

　　What’s even more frightening is that the situations of the defendant and the hostess have gradually overlapped. When her daughter had another willful attack, the sand in the mountain cave pretended to abandon her on the road, but her husband arrived at this time and scolded her for "child abuse." This kind of plot design will really remind people of the scene in The Problem Restaurant. When the mirror is raising children in isolation and doing its best to achieve this goal, it is degraded to nothing by her husband because of her negligence, which causes her son to be injured.

　　The second main line is the family life of all kinds of people involved in this trial. In addition to the sand in the mountain, Asako Matsushita, a judge, is also the mother of a young child. As a professional woman, both family and career are the goals pursued by women in the new era, but her husband is unwilling to share the housework of child-rearing and urges his wife to prepare for a second child. The life of Panasonic Asako has also become overwhelmed. The juror Yamada and your family are another kind of distress. The wife from a rich family felt the gap in real life after becoming a housewife. As a result, the relationship between husband and wife is on the verge of breaking up. Yamada and Gui have to stay in the company until 10 pm every day, and their relationship with young female colleagues has become ambiguous. As for another juror, Fanghe Liushi has an "enlightened" husband, and Alice doesn’t mind "dink" all her life, but Fanghe Liushi is eager to have her own children and is working hard for it … … This is exactly what Tolstoy said, "All happy families are the same, and each unhappy family is unhappy in its own way". However, in "Home on Sakamoto Road", the audience can’t seem to see where happiness lies.

　　Longing for children’s Fanghe Liushi

　　"necessary evil"

　　Even as a foreign audience, people still can’t help but ask, is it reasonable to put all the burden of the family on the shoulders of the "housewife"?

　　In fact, it can’t be said that the contemporary Japanese have ignored this problem. In 2016, the smash hit "Escape is shameful but useful" explored the long-neglected value of female family labor. As said in the play, the working time of housewives is 2,199 hours a year, and the value of this job is 3.041 million yen (about 190,000 RMB) per year. A housewife who seems to be doing nothing can be equivalent to a company employee after careful calculation. In this way, the idea of getting married without paying the housewife the corresponding reward is called "love squeezing" However, although more and more Japanese women have entered the workplace in recent years, their role as the main undertaker of domestic labor has not fundamentally changed. The traditional division of gender roles of "men dominate outside and women dominate inside" has become loose, but it has been replaced by an embarrassing situation of "men dominate outside and women dominate inside and outside".

　　Panasonic Asako who takes care of work and family in the play

　　However, this situation appears to be smooth in Japan. "Clean and tidy streets, exquisite and delicious food, picturesque scenery, ancient culture, considerate service and advanced technology … … The only thing this country needs to work hard now is to be nicer to women … …” This is a compliment from Ms. Ngcuka, Director of UN Women and former South African Vice President, during her visit to Japan in 2014, to express her expectation for Abe’s new policy of "Women Active and Shining Society" at that time. Ironically, four years later, according to the Global Gender Gap Report of the World Economic Forum in Davos in 2018, Japan fell from the original 104th place to 114th place (behind China), which became a flaw in the crown of its developed countries.

　　In "Home on Sakamoto Road", even through the performance of the elders who are also women, it shows the social maintenance of this unfair state. In the eyes of the defendant’s mother-in-law, Ando Bangzhi (Mitsuko Baisho), the daughter-in-law is completely lazy, not "postpartum depression". She confidently declared in court that "raising children is of course hard, but as long as you get through this, you will feel happy." However, the same mother-in-law actually came up with the idea of letting her baby son (An Teng Xiushi) stay in a hotel directly after work, in order not to let the noise of housework and children affect his rest. The reason is still justified: "An Teng Xiushi is the pillar of the family, so of course he should ensure his rest" … …

　　As for the mother-in-law in the sand in the mountain, she is not only following her son’s request, but in her family, it is natural that she has no connection with her husband to look after her granddaughter and do housework. The latter who retires at home only studies the chess playing method by herself, and shouts, "Dinner is ready" when the time comes.

　　A mother-in-law who cares about her son’s rest

　　From this point of view, the housewives in Home on Sakamoto seem to be facing a "necessary evil". Although people hope that the unfair treatment of women will disappear as soon as possible, they have to do it because of the needs of social tradition. However, it seems that the situation of housewives is even more desperate.

Special topic: the incident of smashing, looting and burning in Lhasa, Tibet

　　　　The picture (information picture) circulated by the rumor

　　　　Xinhuanet Beijing, April 3 rd The Global Times published an article entitled "Out-of-date photos have been moved to Mudaransala as a rumor center, and Dalai wants to deceive the world" on the 3 rd. The article reads as follows:

　　　　The Dalai Lama, who is eager to attack the central government, has revealed new flaws this time. Some netizens pointed out that the photo that the Dalai Lama used to falsely claim that soldiers were "pretending to be monks" was taken at least earlier than 2003. It was also verified that the armed police in the photo were holding monks’ costumes because they were attending a local cultural performance. The Dalai Lama falsely claimed that soldiers wore robes and pretended to be beating, smashing, looting and burning. Over the years, the Dalai Lama didn’t know how many rumors he had made, but the western media who liked to break the news never took the initiative to expose him. They cooperated with each other and made up the big lie that "Tibet is an independent country under the occupation of China". Now, it’s time to let these lies see the sun.

　　　　An obvious fake photo

　　　　The Dalai Lama’s rumors are full of flaws and have become a laughing stock. On the morning of March 29th, local time, the Dalai Lama told reporters after holding a ceremony at Gandhi’s Tomb in New Delhi that China disguised soldiers as lamas to create the impression that Tibetans incited riots. The Dalai clique’s website "Voice of a Free Tibet in Norway" published this news on the 29th, which said, "The Dalai Lama hinted that China itself may be supporting the violence, because he said,’ We heard that hundreds of China soldiers got monks’ clothes. They dressed up as monks. So to others, they look like monks. " "

　　　　According to the investigation, a photo of dozens of armed police holding monks’ costumes appeared on the Internet recently, which is the so-called "basis" for Dalai to falsely claim that soldiers "pretend to be monks". Because the age of the clothing is different from the present, after 2005, the armed police clothing has armbands, but the armed police in the photo does not; The wearing season is also different from now, and the dress in the photo is summer clothes. This photo was taken in the past when the army borrowed monks’ clothes and places for cultural performances.

　　　　网上已有许多网民用跟帖对这张照片表示质疑。还有网民查出，这张照片是２００３年在境外“藏独”组织的“西藏人权与民主中心”用过的。网民们斥责“藏独陷害武警”。

　　　　很显然，这张照片是移花接木肆意歪曲的：

　　　　一、着装的年代不符。武警部队自２００５年１月１日起，全体官兵统一佩戴胸标和臂章，而照片上武警士兵的着装既无胸标，也无臂章，该照片显然是２００５年１月１日之前所拍。自２００６年５月１日始，武警部队战士统一换着０５式服装，其服装材质由布料改为仿毛面料，挺括舒展，而照片上显示武警战士穿着的是８７式布料服装。显然，照片上反映的服装与部队现行着装不是一个年代。

　　　　二、着装的季节不符。３月初的西藏，天气依然寒冷，气温在零下，武警部队均着冬装，市民同样也穿着冬服；而照片上武警战士穿着８７式夏常服，市民穿着也比较单薄，显然是藏区５月份后的季节。

　　　　Some western media, such as Oakland News in the United States and West German Daily in Germany, spread this obvious rumor at will. While reporting the Dalai Lama’s rumors, the German Star Weekly also distributed the so-called "basis" picture.

　　　　Netizens angrily denounced Dalai.

　　　　When the truth was published online, many netizens in China immediately condemned the Dalai clique. "Damn" and "Angry! ！” "Too low technical content" is the first reaction of netizens. Some netizens sarcastically said: "The Dalai Lama is really talented. Is the Armed Police Force openly developing monk’s clothes on the street for fraud? Also invited the crowd to watch? ….. even if you want to make a fake, do you still have to take pictures as a souvenir? " Some netizens calmly analyzed and said: "It is necessary to expose the distorted reports of the western media. (Dalai) is trying to avoid launching" 3? 14 Tibet smashing, smashing, looting and burning incident. And there is a lot of evidence that this is another low-level smear that Dalai can’t stand scrutiny. " More netizens are angry. Some netizens left a message: "This photo used by the Dalai clique to slander’ China soldiers posing as lamas to stir up riots’ will not have any effect, but the photo itself will become ironclad evidence to expose the Dalai clique’s fear that Tibet will not be chaotic!" Some netizens wrote: "Such a stupid lie can be made, which shows how far the Dalai Lama and some western forces have come to split China, encouraged by some western forces!"

　　　　"Really can’t fake, really can’t fake. The people’s eyes are discerning. " Maybe Dalai should read this netizen’s message.